Caravaggio's art

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Supper at Emmaus, is a painting by the Italian Baroque master Caravaggio, executed in 1601. Originally painted for the Roman nobleman Ciriaco Mattei, and later purchased by Cardinal Scipione Borghese, it is currently on loan to the Art Institute of Chicago, with a permanent home in the National Gallery in London.

The painting depicts the moment when the resurrected but incognito Jesus, reveals himself to two of his disciples (presumed to be Luke and Cleophas), only to soon vanish from their sight (Gospel of Luke 24: 30-31). Cleopas wears the scallopshell of a pilgrim. The other apostle wears torn clothes. Cleopas gesticulates in a perspectively-challenging extension of arms in and out of the frame of reference. The standing groom, forehead smooth and face in darkness, appears oblivious to the event. The painting is unusual for the life-sized figures, the dark and blank background. The table lays out a still-life meal. Like the world these apostles knew, the basket of food teeters perilously over the edge.

cehenot Uploaded by cehenot on Jan 1, 1970. Caravaggio's art - Desktop Nexus Abstract Download free wallpapers and background images: Caravaggio's art. Desktop Nexus Abstract background ID 830510. Supper at Emmaus, is a painting by the Italian Baroque master Caravaggio, executed in 1601. Originally painted for the Roman nobleman Ciriaco Mattei, and later purchased by Cardinal Scipione Borghese, it is currently on loan to the Art Institute of Chicago, with a permanent home in the National Gallery in London.

The painting depicts the moment when the resurrected but incognito Jesus, reveals himself to two of his disciples (presumed to be Luke and Cleophas), only to soon vanish from their sight (Gospel of Luke 24: 30-31). Cleopas wears the scallopshell of a pilgrim. The other apostle wears torn clothes. Cleopas gesticulates in a perspectively-challenging extension of arms in and out of the frame of reference. The standing groom, forehead smooth and face in darkness, appears oblivious to the event. The painting is unusual for the life-sized figures, the dark and blank background. The table lays out a still-life meal. Like the world these apostles knew, the basket of food teeters perilously over the edge. 4.1